Book Review: Buda’s Wagon- A Brief History of the Car Bomb

Buda's Wagon Front cover

The front cover of the 2017 edition of Buda’s Wagon: A Brief History of the Car Bomb by Mike Davis.

Mike Davis. Buda’s Wagon: A Brief History of the Car Bomb. London: Verso, 2017. RRP £9.99 paperback.

Among geographers, Mike Davis is particularly well-known for his writing on cities. Books like Planet of the Slums and City of Quartz are staples of undergraduate Geography reading lists. Buda’s Wagon: A Brief History of the Car Bomb is not one I was familiar with, until Verso released new editions of some of his works at the start of 2017. My family can always tell when I’m enjoying what I’m reading because I bombard them with facts and stories from the book. My family have had to listen to a lot of facts about car bombs.

It is the car bombers’ incessant blasting-away at the moral and physical shell of the city, not the more apocalyptic threats of nuclear or bioterrorism, that is producing the most significant mutations in city form and urban lifestyle.

Davies, 2017: p. 7

Buda’s Wagon doesn’t have an introduction as such, instead launching into the story of Mario Buda, an Italian anarchist living in New York who packed his horse-drawn wagon with explosives and iron slugs, drove it to Wall Street, and left it there. At midday, the wagon exploded, killing 40 and injuring more than 200. Mario Buda has the dubious distinction of being the world’s first car bomber-sort of. From there, Buda’s Wagon ricochets around the world and through a century of conflict, finishing up in the Middle East in the early 2000s. Davis makes a convincing case for the car bomb as a powerful leveller for terrorists and insurgent groups confronting powerful and well-resourced  governments. He also conveys the human cost of a weapon that is indiscriminate at best. At it’s worst, it is deliberately meant to cause further hatred and violence.

Davis does not explicitly state his opinion on the issues he’s writing about, he lets the statistics he uses and the stories he tells speak for themselves. I like this style, it feels like Davis is trusting the reader to form their own opinion. At some points, it highlights the strength of Davis’ feeling, as you can almost sense his opinion fighting its way out through his non-judgmental language.

There aren’t many pictures in Buda’s Wagon, which some readers might not like, but I think was a sensible decision. It would be difficult to include many pictures without becoming ghoulish. I did find the narrative a bit difficult to follow when it reached the Middle East, but I imagine simplifying the politics in a way that would make them comprehensible for most readers would be a very difficult task.

Buda’s Wagon is a poignant, engaging read, that thinks systematically about the car bomb in a way that is scholarly, but not insensitive. I would recommend it to anyone interested in contentious politics or geopolitics, or anyone who wants to try and understand what can seem like a senseless and inexplicable act.

Understanding Conflict: Protest and Political Violence

Provide tea and biscuits, and you're sure to get a good turnout!

Provide tea and biscuits, and you’re sure to get a good turnout! (Photo: Hannah Awcock)

This Monday, I attended the annual symposium of the University of Brighton’s conflict research group (or to give it it’s full name, Understanding Conflict: Forms and Legacies of Violence Research Cluster). With members from disciplines across the arts and humanities, the group seeks to understand violent conflict and its legacies. The annual symposium was organised by postgraduates from the research cluster, and featured a range of presentations by staff and students on themes that ranged from Belfast’s ‘peace walls’ to the aesthetics of AK-47s.

The first question asked by Professor Bob Brecher during his introduction to the symposium was ‘what is political violence?’ It may be a question that the research cluster never fully answers to their satisfaction, but I wonder if protest will be included in any definition that they do come up with. Certainly some members of the research group are working on protest or protest-related topics; Tim Huzar presented at the symposium on the topic of ‘Black Lives Matter and the Question of Non-Violence’, and Zeina Maasri talked about the aesthetics of the AK-47 rifle, and its symbolic role for anti-imperialist struggles during the Cold War. I have often thought about the role of violence in protest movements, and I was hoping that attending this symposium might crystallise some of my ideas.

At the very least, I was about to draw lots of connections between the papers presented at the symposium and my own work on the historical geographies of protest in London. One interesting idea that came out of a lively discussion about drone warfare was the idea of the threat of violence as a controlling force. Drones, or Unmanned Aerial Vehicles (UAVs) and the intense surveillance they enable can give the appearance of God-like omnipotence. The threat of a drone strike can have as much as an impact on people, if not more, than a strike itself. In a similar way, the threat of violent and excessive policing can be used to alter the behaviour of protesters and potential protesters. The threat of being arrested, kettled, or manhandled by police can prevent people protesting; I know it has factored into decisions I have made about whether or not to attend protests.

A police officer in riot gear pepper-spraying seated protesters at U.C Davis in 2011 (Source:

A police officer in riot gear pepper-spraying seated protesters at U.C Davis in 2011 (Source:

A recurring theme during the symposium was the ways in which violence is remembered and memorialised. Ian Cantoni presented a paper about the new memorial museum at Camp Joffre in southern France, used as an internment camp for much of the 20th Century. Dr. Eugene Michael talked about the use of the Holocaust metaphor to interpret the conflicts in former Yugoslavia during the 1990s. Just like conflicts, protests can often have difficult and contested legacies. I am currently working on the Battle Cable Street, which is memorialised in the mural shown below. It is a contentious site, and has been vandalised several times since the project began in 1976. As the name suggests, the Battle of Cable Street was a violent protest, and there are multiple conflicting narratives that surround it. The legacies of violent pasts are difficult to process, yet we continue to try, whether that violence took the form of a protest, a riot, or a war.

The Battle of Cable Street memorial in Cable Street, in Tower Hamlets in East London.

The Battle of Cable Street memorial in Cable Street, in Tower Hamlets in East London (Photo: Hannah Awcock).

There is clearly a lot of overlap between conflict and protest, especially violent protest. Protest has an uneasy relationship with violence; violence is a frequent part of unrest, but many activists reject it, for a whole variety of reasons. Nevertheless, I think that any study of protest (even those about deliberately non-violent protest) would be improved by at least a passing consideration of the causes, characteristics, and impacts of political violence.

Thank you to the Conflict research cluster at the University of Brighton for organising such an interesting day and giving me so much to think about!