If you’ve spent any time in the UK over the last few years, then you won’t have been able to escape Brexit. Britain’s exit from the European Union may well be the most significant thing that’s happened in this country in decades, and it hasn’t even actually happened yet. Brexit has seeped into every aspect of life. Brick Lane in Shoreditch is one of the best places in London to see street art (and to get bagels!). The street and surrounding area has a fascinating social and cultural history, and in the last twenty years or so has become one of the most painfully cool parts of London. It is a hub of independent shops and cafes, art galleries, and gentrification. Brick Lane itself is an informal open air art gallery, covered in street art that is painted or covered over regularly. Street art is a format that often engages with politics, and the artists who produce it are not afraid of expressing subversive or critical views in their work. On a recent visit to Brick Lane in December 2018, I noticed a distinct anti-Brexit theme to much of the street art I found.
This summer, I spent a few days in Vienna on a family holiday. Although beautiful, I found the city, particularly the city centre, had an add, formal feel that didn’t sit very well with me. It didn’t feel lived in, more like a model city than an actual place. There were some parts of the city I did connect with however, like the Prater funfair, the city’s lively protest sticker culture, and the street art. I quickly discovered however, that the advice the guide books give you about finding street art is not necessarily the best.
Dotted around the Museum Quarter of the city there are a series of Micromuseums, small passageways that focus on different art genres, including literature, typography, and sound art. They are the brainchild of Q21, which provides creative work and exhibition spaces in the Museum Quarter. One of these Micromuseums is called Street Art Passage Vienna, and its where a lot of guide books direct you if you want to see street art in the city. Whilst I like the idea of turning “simple means of entrance and exit to innovative art spaces,” I found the reality a bit disappointing. The space is almost 10 years old, and it feels a little neglected.
The main feature of the passage is a tiled bridge by French artist Invader (2008). His distinctive Space Invader mosaics are a recognisable feature of many cities. There is also a permanent typographic piece by Lois Weinberger (2013), which is visible in the above picture on the wall behind the Invader bridge. There are also temporary exhibitions by a wide range of artists (you can see a full list here). There are two vending machines, which are supposed to contain mini catalogues and sets of stickers that you can buy for 2 Euros, but the machines were empty when I went there. In addition, each temporary artists produces a limited number of affordable screen prints, designed to encourage young art collectors.
When there is crossover between the informal, ephemeral tradition of street art and more formalised traditions of artistic display like art galleries and museums, there can be tensions. Whilst street art is often associated with a certain urban ‘scruffiness,’ in the case of the Street Art Passage Vienna it just felt neglected. For me, street art is exciting and vibrant, it makes a city feel more alive. The Street Art Passage felt…stagnant.
If you want to see dynamic and vivid street art in Vienna, and lots of it, then I would recommend going to the Danube Canal, which splits of from the Danube proper north of the city centre, then loops round to the west of the river before rejoining the Danube further south. The canal is below street level, with a tow path on either side and concrete walls rising to the main roads that run either side. The walls on both sides of the canal are covered in street art, and there are also some sculptures along the tow paths. In the hour or so I was walking along the canal, I saw several artists working on pieces on the walls.
Most guide books and websites will send you to the Street Art Passage Vienna if you’re looking for street art in the city. But I wouldn’t recommend it. The litter, dust bins, and empty vending machines felt a little sad. The street art at the Danube Canal, however, is energetic and vibrant, and helped me to connect to a city that had I had struggled to relate to previously.
Along with anti-fascists, anarchists are some of the most prolific stickerers I’ve come across in London. The Anarchist Federation (AFed) are particularly keen on stickers as a method of protest. At its simplest, anarchism is the belief in a society based on voluntary, cooperative institutions. Force, compulsion and government are not required. Anarchists believe that this is the only way to achieve a fair and just society. The Anarchist Federation is a working class organisation that works towards achieving that.
As anarchist communists we fight for a world without leaders, where power is shared equally amongst communities, and people are free to reach their full potential. We do this by supporting working class resistance to exploitation and oppression, organise alongside our neighbours and workmates, host informative events, and produce publications that help make sense of the world around us.
You can see where I found these stickers on the Turbulent London map.
Street art is everywhere in New York City, and it comes in all shapes and sizes. For those of you that are new to Turbulent London, I am especially interested in stickers, particularly those with political subject matter. So on a recent trip to New York City, I took my camera and my habit of photographing random bits of street furniture to see what protest stickers I could find on the streets of the city that never sleeps. This is the second time I have visited NYC since I started photographing protest stickers, and the first time I struggled to find many. This time however, I found so many stickers that I have decided to do two blog posts, hence the slightly awkward title (the first post, published last week, is here). In the last post, I looked at the different kinds of issues which protest stickers address, the different types of stickers you can find, and some of the most common themes in the stickers I found. This post is far less organised I’m afraid, its just everything else that I wanted to include!
New York City has a thriving street art culture. Almost every neighbourhood has walls covered in art, both official and unofficial. There are also a lot of stickers, of all kinds- I spotted one sticker advertising a new novel, which is something I haven’t come across in London before. Lots of stickers generally means lots of protest stickers, and during the week that I was there in early March I found loads. I wouldn’t like to say whether the amount of protest stickers is increasing, or I have just got better at spotting them since I visited last time, but it certainly felt like there were a lot. I found so many in fact, that I have decided to split this post into 2 parts, with Part 2 being published this time next week.
Protest stickers are a great way of seeing what kinds of issues are important to the people of a city. Some themes crop up again and again, whilst other topics just appear to be a particular bug bear of one zealous stickerer (I am still looking for a less clumsy way of referring to people who put up stickers!) Stickers are just one of the ways in which protest imprints itself onto the physical fabric of a city, but they can also be one of the most long-lasting, although their transience is one of their defining characteristics.
Don’t forget to check back next week for Part 2 of Protest Stickers: New York City 2!