Book Review: ‘March, Women, March’ by Lucinda Hawksley

'March, Women, March' by Lucinda Hawksley.

‘March, Women, March’ by Lucinda Hawksley.

Hawksley, Lucinda. March, Women, March. London: André Deutsch, 2013.

Lucinda Hawksley’s March, Women, March, recently released in paperback, serves as a fantastic introduction to the history of the women’s movement in the UK, introducing the reader to all the key players from Mary Wollstoncraft through to Christabel Pankhurst, including quite a few who are not so well known nowadays. The book traces the struggle for women’s rights and female suffrage from the end of the eighteenth century to the late 1920s, using extensive quotes from those directly involved to help tell the story.

Hawksley uses numerous extracts from the diaries, letters and publications from those directly involved in the events she describes, so much of the story is told in the words of those who were there and took part. Not only does this act as proof of the huge amount of research that must have gone into the book, it also gives it a personal feel; you can almost feel the determination and strength of the women emanating from the pages.

One of the great strengths of this book is the fact that it tells the whole story of the women’s movement, putting the well-known suffragettes into the context of their predecessors and contemporaries. The Women’s Social and Political Union (WSPU) and the suffragettes did not spring up out of nowhere- they were inspired by, and worked alongside, vast numbers of other women such as Caroline Norton, Clementina Black and Charlotte Despard. March, Women, March acknowledges and celebrates the whole of this history, not just the bits that have successfully made their way into the collective consciousness.

In fact, my main criticism of the book is that I would have liked more detail about the early pioneers of the women’s movement. Women such as Caroline Norton, who railed against the way that she was treated by both her husband and the law after her marriage, and campaigned tireless for the rights of married women to see their children and control their own income, are much less familiar to me than the Pankhursts, and I would have liked to hear more about them.

March, Women, March also puts the campaign for suffrage into the context of other campaigns that aimed to benefit women, such as attempts to raise awareness about sexual health and contraception, and the ‘rational dress’ movement, which sought to free women from the physical constraints of tight corsets, high heels and excess frills and bows. These campaigns made social pariahs of their champions, appalling mainstream society with their frank and radical opinions. Many of the campaigners, such as Clementina Black who worked tirelessly to improve the conditions of working women, believed that the situation would not truly improve until women were granted the vote, for why should politicians listen to them when they could not influence the outcome of elections? Everything came back to suffrage.

If you are acquainted with the events and figures of the women’s suffrage campaign after 1900, much of this book will feel familiar, although you will probably still learn something new. If you are not familiar with the activities of the WSPU and others, then this book is an ideal introduction to the topic. Either way, March, Women, March is a very enjoyable read, and I would highly recommend it.

Book Review: ‘To End All Wars’ by Adam Hochschild

'To End All Wars' by Adam Hochschild

‘To End All Wars’ by Adam Hochschild

Hochschild, Adam. To End All Wars. London: Pan Books, 2011.

By the time we reach the centenary of Armistice Day in 2018, I get the feeling that we might be suffering from a certain degree of World War 1 fatigue. The sheer number of  documentaries, dramatisations, books, ceremonies and art installations will likely make it difficult for any one thing to stand out. I think that To End All Wars by Adam Hochschild has a good chance of leaving a lasting impression.

The story of the first world war is familiar to most of us, but To End All Wars tells the narrative from an unfamiliar perspective; it is about those people who spoke out against the war. Opposition is not discussed in the traditional narratives of the war, the general perception appears to be that it wasn’t criticised until years afterwards. Admittedly critics of the war were few, tested as they were by the “mass patriotic hysteria” (Hochschild, 2011) but they most certainly did exist. On the 2nd of August 1914, there was a huge anti-war rally in Trafalgar Square, with calls for a general strike if war was declared. Prominent campaigners like Keir Hardie, Charlotte Despard and Sylvia Pankhurst continued to oppose the war, with Pankhurst proposing a Women’s Peace Expeditionary Force, where 1000 women would march into no-man’s land between the two armies.

Publicly criticising the war required a great deal of bravery. Those that did were almost instantly ostracised, derided or accused of treachery, labeled as German spies trying to undermine the war effort. Many paid a heavy price for their defiance. For example, the Wheeldon family, socialists who hid soldiers escaping conscription, were convicted in 1917 of the completely false charge of attempting to murder Lloyd George and another member of the war cabinet, victims of a government attempt to disgrace the anti-war movement. 3 family members were sentenced to 5-10 years hard labour after a sham trial that didn’t even last a week.

To End All Wars is arranged chronologically, making the tragic progress of the war appear even more inevitable as the reader can do absolutely nothing to prevent the horrors that we know full well are coming. The style of writing is dramatic, and the book often reads more like a novel than non-fiction. Charlotte Despard, the famous suffragette and anti-war campaigner, was actually the sister of John French, the Commander-in-Chief of the British Army until 1915. Hochschild hides this connection though, revealing it like a plot twist at the end of a chapter. The first chapter is spent introducing the key players in the book, developing them like characters. Whilst the approach felt a bit unusual at first, it makes for an engaging and accessible read.

Admittedly, Hochschild does spend a lot of time describing the events of the war, and whilst this is generally useful context, it does sometimes feel like filler, padding out the relatively rare examples of opposition to the war. However on balance this is a thoroughly enjoyable book, that provokes thought about the nature of war and opposition to it, as well as providing a rare new insight into the First World War.