Anita Anand. Sophia: Princess, Suffragette, Revolutionary. London: Bloomsbury, 2015. Paperback £9.99.
If you asked the average person to name individual suffragettes, they would probably say Emmeline or Christabel Pankhurst, or perhaps Emily Davison. There were, however, many individual women who contributed to the campaign for female suffrage, including Sylvia Pankhurst, Daisy Parsons, Clementina Black, and Charlotte Despard. Sophia: Princess, Suffragette, Revolutionary tells the story of Princess Sophia Duleep Singh, one of these lesser known, but just as fascinating, women who devoted herself to the fight.
Granddaughter of Ranjit Singh, the Maharaj of the Punjab, Princess Sophia and her siblings occupied a unique position in British society. Her father, originally beloved by Queen Victoria, had turned against the British empire which had taken his birthright. Her family relied on the British government for everything, but their status as Indian royalty gave them a degree of protection that meant they could still be troublesome. Sophia did not resent the British government like her father and some of her siblings, but she did care deeply for the people of India, which she visited several times. There was little she could do for the burgeoning independence movement from so far away, however, and women’s suffrage became the cause to which she devoted her energies.
Sophia is a well-written, thoroughly researched, and detailed biography. Anita Anand has included a wealth of rich details that makes you feel like you really know Sophia, that you understand her motivations. Personally, I welcome anything that helps to extend popular awareness of the suffragettes beyond Emmeline Pankhurst and her most famous daughter, and I also appreciate the way Sophia puts the suffragettes in the context of contemporary non-British social movements, particularly the early campaign for Indian independence. They are mostly seen as a stand-alone phenomena, but the campaign for women’s suffrage took place in the context of a whole range of other social justice movements.
Whilst I understand the necessity of context, there are times where it feels like the book goes into too much contextual detail. Sophia isn’t even born until page 44, and the narrative sometimes veers away from Sophia to dwell on other people and events. It feels a little like padding, which seems unnecessary considering how much source material Anand was able to find about Sophia herself.
Sophia is an enjoyable read, and Anita Anand deserves the praise she has received for it. I would recommend it to anyone interested in women’s history, colonialism, or the women’s suffrage movement.