Manchester’s Protest Stickers: Brexit

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The bee is strongly associated with Manchester. This stenciled design is a clear symbol of support for the EU in the city (Photo: Hannah Awcock).

Sometimes it feels as though we might be stuck in Brexit limbo forever. It’s been over two years since the EU Referendum, and we’re no closer to any kind of resolution. Brexit has been a topic of protest stickers since before the referendum. Manchester is one of the best cities I’ve been to for protest stickers, and I’ve found loads of Brexit stickers there, including ones that I haven’t seen anywhere else. I haven’t seen any of the stickers featured in this post anywhere other than Manchester, although if you have I would be very interested to know where!

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I found this sticker almost as soon as I stepped out of Manchester Piccadilly train station. I like stickers that use word play, and this sticker can be read two ways, depending on whether or not the reader replaces the stars with letters. Word play like this is amusing, but it also allows you to convey more meaning in a small space. This is an important consideration when it comes to protest stickers, which are often not much bigger than a credit card (Photo: Hannah Awcock).

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This sticker was produced by EU Flag Mafia, which was started after a photo of an EU flag hanging from a bridge on the M40 went viral. The website sells EU flags and other anti-Brexit merchandise. They are the producers of the florescent yellow “Bollocks to Brexit” stickers that can be found in most towns and cities around the UK (Photo: Hannah Awcock).

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Part of this sticker has been removed, but it is still possible to make out what it says: “We were conned. Only the rich can afford Brexit.” The hashtag is #StopBrexit. This sticker is using the famous red, white, and black design that was popularised as I heart NYC, but has since spread to cities around the world (Photo: Hannah Awcock).

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This sticker also refers to the argument that the Leave Campaign made unsubstantiated, exaggerated, and even false claims in order to win the Brexit referendum. This is a key reason why many people feel that we need a second referendum (Photo: Hannah Awcock).

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Like the previous one, this sticker has a design that is simple, but quite effective. It plays on the uncertainty surrounding the economic impact of Brexit. No one really knows what effect leaving the EU will have on our economy. This uncertainty is in itself damaging (Photo: Hannah Awcock).

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This sticker was perhaps designed to be worn by a person rather than a lamppost. A lot of British people, especially younger generations who grew up in the EU, identify as Europeans as well as British/English/Welsh/Scottish/Northern Irish (Photo: Hannah Awcock).

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This sticker is a variant of the ‘Smash Fascism’ motifs that are quite common on protest stickers. In this case, the EU is ‘smashing’ a swastika, a reference to the argument that the EU helps to maintain peace and democracy in Europe (Photo: Hannah Awcock).

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Most protest stickers I come across related to Brexit are pro-Remain. I have found some pro-Brexit stickers however, such as this one. It was produced by the Leave means Leave campaign, which does pretty much what it says on the tin. Some people believe that Britain is better off out of the EU, and that our fortunes will improve once we leave (Photo: Hannah Awcock).

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This sticker is more basic in its design compared to the others so far. It is referring to the argument that Remainers should just accept the result of the referendum and by extension, Brexit. I find it hard to believe that Leavers would have quietly accepted the referendum result if they only lost by 2% of the vote, but there we go (Photo: Hannah Awcock).

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Part of this sticker has been removed, but the top line probably said “Leave means Leave,” which has become quite a common motto over the last few years. It refers to the idea that we might end up with Brexit in name only; we will leave the EU, but very little will actually change. Most Leavers are opposed to this outcome (Photo: Hannah Awcock).

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This sticker has also had the top line of text removed. I am less sure about what it said though, perhaps “Brexit means Exit”? It is again referring to the idea that because the Leave campaign won the referendum, that should be the end of any debate or discussion over how to proceed (Photo: Hannah Awcock).

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I thought it might be nice to end on a positive note. Whilst the design of the sticker implies that those who made it are pro-EU, the message is universal. There is no doubt that Brexit has been an incredibly divisive issue, and it may take a long time for UK politics to recover. However, an increasing number of people (including the Queen) are calling for the vitriol to be toned down, and for both sides to focus more on what we have in common than what divides us (Photo: Hannah Awcock).

Turbulent Hullensians: Dr. Mary Murdoch, 1864-1916

Regular readers of this blog will know that I usually write about Turbulent Londoners, women who participated in some form of protest or dissent in London. However, I have recently moved to Hull in East Yorkshire, so I have decided to celebrate the turbulent history of my new city. I recently reviewed a book about the city’s Headscarf Revolutionaries, but they are not the only women that have caused a stir in Hull. Dr. Mary Murdoch was a prominent suffragist, as well as being the city’s first female doctor.


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Dr Mary Murdoch (Source: Hull History Centre).

Most of the names associated with the histories of British towns and cities are men. Look a bit harder, however, and it is almost guaranteed that you will find women who also helped to shape that local history. In Hull, Dr. Mary Murdoch is one such woman. She was the city’s first female doctor, as well as being a suffragist and dedicated social campaigner.

Mary Murdoch was born on the 26th of September 1864 in Elgin, Scotland. She was the youngest of 7 children, and her father was a solicitor. She received a good education at home from governesses, and at schools in Elgin, London, and Switzerland. She returned to Elgin in 1883, and from 1885 looked after her mother until her death in 1887. During this time, Mary discovered her love of medicine, and used the inheritance from her mother to fund her studies at the London School of Medicine for Women.

It was still unusual for women to train as doctors at this time. The London School of Medicine for Women was co-founded in 1874 by Elizabeth Garrett Anderson, one of Britain’s first female doctors and sister of Millicent Garrett Fawcett, the leader of the National Union of Women’s Suffrage Societies (NUWSS).

Mary finished off her studies in Scotland and qualified as a Doctor in 1892. The following year she moved to Hull and became the house surgeon at the Victoria Hospital for Sick Children in Park Street. In 1895 she moved back to London to work at the Tottenham Fever Hospital, where she gained experience in the diagnosis of infectious diseases. In 1896, she returned to Hull and worked there as a GP until her death in 1916.

In 1900, Mary employed the recently qualified Louisa Martindale as an assistant. They worked together until 1906. Mary listened to her poorer patients and developed a good understanding of the difficulties they faced, caused by a range of interconnected problems such as poor nutrition, hygiene, and housing, precarious employment, and childcare. She supported social reform and and public education, and helped to improve the services available to women and children in Hull; she founded the first creche in the city, and a school for mothers. Mary encouraged male dock workers to take a more active role in child rearing. She was a vocal critic of poor quality housing in Hull, which got her in trouble with prominent Conservatives in the city for portraying Hull in a bad light.

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The plaque commemorating Mary Murdoch on the house where she used to live, 100-102 Beverley Road (Photo: Hannah Awcock).

As well as working to improve the social issues faced in Hull, Mary was also politically active. In 1904, she founded the Hull Women’s Suffrage Society, which was part of the NUWSS. Mary disagreed with their policy of  not supporting militancy by any suffrage campaigner however, and eventually joined the more militant Women’s Social and Political Union (WSPU). She gave talks at the International Council of Women in Toronto (1909), Stockholm (1911), and Rome (1914). Mary was also a leader in the National Union of Women Workers, founding a local branch in 1905. She was also active in the Association of Registered Medical Women, which represented the interests of medical women and female patients (the organisation is still active as the Medical Women’s Federation).

Dr Mary Murdoch died on the 20th of March 1916; she became ill after going out in bad weather to see an emergency patient. Mary had been the first woman in Hull to own a car, and she earnt herself a reputation for driving around the city at speed. Her funeral procession was led by her car, and thousands of the city’s residents turned out to show their gratitude for everything she had done for Hull.

Dr. Mary Murdoch was a brave and energetic woman who dedicated herself to her adopted city of Hull. She worked hard to improve the lives of the city’s residents, on a social and a political level, and she helped to shape Hull as it is today.

Sources and Further Reading

Carnegie Hull. “Dr. Mary Murdoch.” Hull Firsts Trail. No date, accessed 7 January 2019. Available at https://www.carnegiehull.co.uk/hull-firsts/dr-mary-murdoch.php

Cockin, Katharine. “Murdoch, Mary Charlotte.” Oxford Dictionary of National Biography. Last modified 26 January 2005, accessed 7 January 2019. Available at https://doi.org/10.1093/ref:odnb/69838 [Requires a subscription to access].

Cockin, Katharine.  ‘Dr Mary Murdoch (1864-1916) and the ‘Heart of Hull’: Campaigning for women’s suffrage, education and health care’; audio recording of a lecture delivered by Professor Katharine Cockin of the University of Hull to the Hull Amnesty Group on 15th November 2016, 11am-12noon at Hull History Centre. Available at https://hydra.hull.ac.uk/resources/hull:14055

Cockin, Katherine. “Dr. Mary Murdoch.” Remember Me. Last modified 5 April, 2017, accessed 7 January 2019. Available at https://remembermeproject.wordpress.com/2017/04/05/dr-mary-murdoch-1864-1916-a-woman-doctor-of-hull/

Wikipedia. “Mary Murdoch (Hull).” Last modified 10 December 2018, accessed 7 January 2019. Available at https://en.wikipedia.org/wiki/Mary_Murdoch_(Hull)

 

Protest Stickers: New Orleans

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Someone got creative with this road sign in New Orleans (Photo: Hannah Awcock).

A few months ago, I was lucky enough to go to New Orleans. It’s a city I have always wanted to visit, and it more than lived up to my expectations. It is a vibrant city, full of excellent music, good food, and wonderful people. New Orleans is not without its problems however; the city has become increasingly segregated since Hurricane Katrina in 2005, and it has an uneasy relationship with one of its most important industries, tourism (I wrote about the problems with AirBnB in New Orleans here). However, it doesn’t seem to be a city that shies away from it’s problems. The protest stickers I found suggest that New Orleans is a city with a healthy political culture, and I’m certain it’s people will never stop trying to make it a better place.

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Every so often, I find stickers that other people have altered in some way, either by writing on them or scratching parts off. I found quite a few in New Orleans, suggesting that people might take notice of stickers more there than in other cities. The message of this sticker has been altered to mean the complete opposite of what was originally intended. I’m not sure what it’s referring too, but I found the sticker on Bourbon Street, infamous party street and now major tourist trap. There are several strip clubs on Bourbon Street, and strip clubs are an issue that divides feminists, so it could be about that, but it could also be about something completely different (Photo: Hannah Awcock).

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With some careful scratching, this sticker has been transformed from anti-fascist to pro-fascist (Photo: Hannah Awcock).

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The message of this sticker has been almost entirely obscured. However, I found the same sticker in other places, so I know that the missing words are “Putin’s penis” (Photo: Hannah Awcock).

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It is not clear, but this sticker has been altered to read “Trump is an asset.” As much as I disagree with the altered sticker, I can’t help thinking it’s quite a clever edit. However, it looks as if someone else might have tried to scribble out this altered message too (Photo: Hannah Awcock).

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The American President Donald Trump was the subject of quite a few of the stickers I found. Unsurprising really, as calling him a controversial figure would be a major understatement (Photo: Hannah Awcock).

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This one is a little more subtle in its critique (Photo: Hannah Awcock).

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This sticker makes use of the popular cartoon Rick and Morty to criticise Trump (Photo: Hannah Awcock).

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I think this sticker is particularly clever. The building behind the crime scene tape is the White House (Photo: Hannah Awcock).

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Another popular topic of protest stickers in New Orleans was the police. The message of this one is pretty clear (Photo: Hannah Awcock).

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Throughout history, the policing of nightlife has often caused tension between authorities and citizens, particularly minority groups (Photo: Hannah Awcock).

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This sticker plays with the concept of Neighbourhood Watch areas, which is where the logo comes from. The real Neighbourhood Watch programme in the US is run by the National Sheriff’s Association though, so I doubt the anti-police message comes from them. This sticker was made by a group called CrimethInc., an anarchist alliance (Photo: Hannah Awcock).

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ACAB is a popular anti-police acronym, it stands for All Cops are Bastards. In the case of this sticker, though, it also means something less contentious (Photo: Hannah Awcock).

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This sticker also hides it’s anti-policing message by giving a different meaning to ACAB. It’s still a relatively subversive message, though; autonomous communities govern themselves, without any outside interference (Photo:Hannah Awcock).

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This sticker adapts the “Refugees Welcome” slogan and symbol that has become popular since the refugee crisis began a few years ago (Photo: Hannah Awcock).

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This is more of a poster than a sticker, but I liked it, so decided to leave it in. Someone tried to remove it, but the message is still clear (Photo: Hannah Awcock).

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This sticker links capitalism and climate change, and I think it is quite effective (Photo: Hannah Awcock).

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The Equitable Food Initiative claims to work across the food supply chain to get a better deal for farm workers, but it seems someone disapproves. I wasn’t able to find out anything about why that might be (Photo: Hannah Awcock).

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I mentioned the debate over strip clubs earlier, and this sticker was obviously produced by someone who likes stripping, for whatever reason (Photo: Hannah Awcock).

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This sticker was produced by the ACLU (American Civil Liberties Union) which works to defend individual rights and liberties in the US (Photo: Hannah Awcock).

Commemorating Resistance during World War 2 in Warsaw: Part 2

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Warsaw’s Palace of Culture and Industry was a gift from the USSR to Poland. Built in 1955, it is one of the city’s stand-out landmarks (Photo: Hannah Awcock).

A few months ago, I visited Warsaw for the International Conference of Historical Geographers. Whenever I visit a new place I try to find out as much as I can about its history of radicalism and dissent, and there’s no doubt that Warsaw has plenty of that. In Part 1 of this post, I wrote about the Warsaw Ghetto Uprising in April and May 1943, and the ways that it is remembered in Warsaw’s streets and museums. Part 2 is about the Warsaw Uprising, which lasted for 63 days in 1944. The Uprising has an entire museum dedicated to it, as well as an impressive monument.

Warsaw Uprising

During the summer of 1944, the German Army was retreating across Poland, pursued by the Soviet Army. The Polish Home Army undertook uprisings in several cities in order to help the Soviet Army, and to assert Polish sovereignty–there were fears that the German occupying force would just be replaced with a Russian one. As the Soviet Army advanced towards the Vistula river, the Home Army in Warsaw decided to begin their own uprising on 1st August. It became the largest military effort of any resistance movement during the Second World War.

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A group of Home Army soldiers pose on a pile of rubble in Warsaw (Source: Imperial War Museum).

The uprising was only ever supposed to last a few days, until the Soviet Army reached Warsaw. However, the Soviets halted their advance on the eastern bank of the Vistula, and the resistance forces ended up fighting, almost entirely unsupported, for 63 days. The Home Army, aided by other groups including the National Armed Forces and the communist People’s Army, quickly took control of large sections of Warsaw. These areas were separated from each other however, and communication was difficult. The resistance fighters had received training in guerrilla warfare, but they were inexperienced at prolonged fighting in daylight and severely under equipped.

On the 4th of August, the Germans started to receive reinforcements, and began to counterattack. The following day, they began a systematic massacre of civilians in order to crush the resistance’s resolve. The strategy backfired however, only making the people of Warsaw more determined. Resistance fighters captured the ruins of the Warsaw ghetto (see Part 1), and liberated the Gesiowka concentration camp. At the end of August, the resistance decided to abandon the Old Town; the area was evacuated through the city’s sewers, which also served as a major means of communication for the resistance. The resistance eventually surrendered to the Germans on 2nd October; the expected help from the Soviets never came. The city wasn’t captured until 17th January 1945, giving the Germans plenty of time to systematically destroy the city and transport many of its residents to work and concentration camps.

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A Home Army soldier surrenders his weapon after the uprising ends (Source: Imperial War Museum).

Life in Warsaw was very hard during the uprising, for civilians as well as resistance fighters. There were severe shortages of food; people largely survived on ‘spit soup,’ made from barley captured from the Haberbusch i Schiele brewery. The media flourished in the city however, multiple newspapers were published frequently, and 30,000 metres of film documenting the uprising was produced.

Warsaw Rising Museum

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The Warsaw Rising Museum in Wola district of Warsaw (Photo: Hannah Awcock).

The Warsaw Rising Museum was opened in 2004, to mark the 60th anniversary of the uprising. The Museum contains more than 800 items and 1500 photographs and videos spread over 3000 square metres. It covers all aspects of the uprising, and provides visitors with a huge amount of information. It is arranged chronologically, and I would recommend following the order of the galleries carefully (you go from the ground floor to the top, then work your way back down, which could be more clearly sign posted). I think you need at least 3 hours to see everything, and I would recommend stopping halfway through for a drink and a slice of cake in the cafe, otherwise you will get too tired to take it all in properly. A highlight for me was the Kino Palladium, a small cinema that shows footage of the uprising that was used to make newsreels. I was also particularly moved by the collection of armbands. Soldiers in the uprising didn’t have uniforms, so used red and white armbands to identify themselves. Some people personalised theirs, and it really brought the human element of the uprising home to me.

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Resistance fighters wore armbands instead of uniforms to identify themselves. Some of them have been given to the museum (Photo: Hannah Awcock).

Monuments and Memorials

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This wall in Freedom Park documents the names of more than 10,000 resistance fighters who died during the uprising.

The Uprising Museum is located in Freedom Park, where you can also find several memorials connected to the uprising. The memorial wall documents the name of more than 10,000 resistance fighters who died during the fighting. Set within the wall is a bell dedicated to General Antoni Chrusciel, one of the uprising’s leaders. There is also a memorial to the estimated 150,000 civilians who lost their lives during the uprising, as well as the 550,000 who were deported from the city after the uprising failed.

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The memorial in Freedom Park to civilians killed and displaced during and after the uprising (Photo: Hannah Awcock).

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The Little Insurgent monument is located in Podwale Street on the outskirts of the Old Town (Photo: Hannah Awcock).

Set into the city walls surrounding Old Town is the Little Insurgent, a memorial to the children and young people who served as orderlies and runners during the uprising. The statue is based on a small plaster statuette created after the war by sculptor Jerzy Jarnuszjiewicz. It was paid for by former scouts, and unveiled in 1983 by Jerzy Swiderski, a cardiologist who had served as a scout during the uprising. It is a moving reminder of how the uprising consumed every aspect of Warsaw; even children could not escape the brutality.

 

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The Warsaw Uprising Monument in Krasinki Square (Photo: Hannah Awcock).

The best-known memorial to the uprising, the Warsaw Uprising Monument, is on a much grander scale. Located on the southern side of Krasinki Square, the momument was unveiled in 1989, and is up to 10 metres tall. The monument has two sections: the larger represents a group of insurgents in combat, running from a collapsing building; the smaller section, in the foreground of the above photo, shows fighters and civilian woman climbing into a manhole. This is an acknowledgment of the significance of the city’s sewer system to the uprising. The monument is impressive, and you’d be hard pushed to walk past without stopping for a closer look. Monuments and statues can often blend into the street around them, which I think defeats one of the key objectives of memorials; drawing attention to the event, person or people it is meant to commemorate. There is no danger of the Warsaw Uprising Monument failing to attract attention.

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The larger section of the Warsaw Uprising Monument, depicting resistance fighters in combat (Photo: Hannah Awcock).

Like all cities, Warsaw’s past is inscribed into its streets, buildings and public spaces. Warsaw’s history is more violent than many cities–it has faced more than it’s share of death, destruction, and upheaval, and not just during the Second World War. There a number of different approaches to dealing with such a traumatic history in Warsaw: the city’s museums use different balances of objects and multimedia; and the monuments work on different scales, from the small and personal to the grand and official. Which approaches work best probably depends on personal taste, but the fact that so much effort and thought has gone into all of these commemorative practices  demonstrates an admirable relationship with the past.

Sources and Further Reading

Frederico. “The Warsaw Uprising Museum.” Odd Urban Things. Last modified 13th March 2017, accessed 25th August 2018. Available at https://www.oddurbanthings.com/warsaw-uprising-museum/

Polish Tourism Organisation. “Monument of the Little Insurgent in Warsaw.” no date, accessed 25th August 2018. Available at https://poland.travel/en/museum/monument-of-the-little-insurgent-in-warsaw

Simkin, John. “Warsaw Uprising.” Spartacus Educational. Last modified August 2014, accessed 25th August 2018. Available at http://spartacus-educational.com/2WWwarsawU.htm

The Warsaw Rising Museum. “The Warsaw Rising Museum.” No date, accessed 25th August 2018. Available at https://www.1944.pl/en/article/the-warsaw-rising-museum,4516.html

Trueman, C N. “The Warsaw Uprising of 1944.” The History Learning Site. Last modified 18th May 2015, accessed 25th August 2018. Available at https://www.historylearningsite.co.uk/world-war-two/world-war-two-and-eastern-europe/the-warsaw-uprising-of-1944/

Wikipedia. “Warsaw Uprising.” Last modified 21st August 2018, accessed 25th August 2018. Available at https://en.wikipedia.org/wiki/Warsaw_Uprising

Wikipedia. “Warsaw Uprising Monument.” Last modified 28th March 2018, accessed 25th August 2018. Available at https://en.wikipedia.org/wiki/Warsaw_Uprising_Monument

Commemorating Resistance during World War 2 in Warsaw: Part 1

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Warsaw’s Old Town was almost entirely destroyed during the Second World War, and was rebuilt in the 1950s. The mermaid is the city’s symbol (Photo: Hannah Awcock).

In July, I visited Warsaw for the International Conference of Historical Geographers. The Polish capital is a vibrant city with a fascinating, if traumatic, history. As ever, I paid particular attention to the history of protest and dissent in the city, and Warsaw has plenty of that. Whilst under German occupation during the Second World War, the city experienced two significant uprisings. The first took place in the Jewish ghetto in April and May 1943, and is known as the Warsaw ghetto uprising. The second is known simply as the Warsaw Uprising, and engulfed the whole city between August and October 1944. In retaliation for these two events, the Nazis destroyed more than 85% of the city. The total death toll from both events is around a quarter of a million people, both combatants and civilians. It is hard to forget such awful events, but they are still actively commemorated in Warsaw, both in the city’s museums, and on the streets through memorials. This post will focus on the Warsaw Ghetto Uprising, whilst Part 2 will look at the Warsaw Uprising.

Warsaw Ghetto Uprising

Captured Jews during Warsaw Ghetto Uprising

Jews captured by German soldiers during the Warsaw Ghetto Uprising in April-May 1943. This picture was used during the Nuremberg Trials, and became very well known (Source: National Archives and Records Administration).

Germany invaded Poland in 1939, and the Jewish ghetto in Warsaw was established not long after. More than 400,000 people were crammed into an area of little more than one square mile, and many died from disease and starvation. In 1942, the Germans began deporting people from the ghetto to concentration camps (mainly Treblinka) and forced-labour camps. Around 300,000 people were deported or murdered, leaving 55-60,000 fearing they would suffer the same fate. They began to develop resistance organisations; the Jewish Combat Organisation (ZOB) and the Jewish Military Union (ZZW) decided to work together to oppose any further deportations. On 18 January 1943, the fighters manage to disrupt a deportation, and drive the Germans out of the ghetto.

Buoyed by this success, the ghetto population began to build underground bunkers in case the Germans tried any more deportations. Unfortunately, the reprieve was only temporary, and German soldiers re-entered the ghetto on 19 April. Most of the ghetto’s residents were hiding in the bunkers or elsewhere. The Germans put down the uprising by destroying the ghetto building by building, forcing people out of hiding. Resistance continued for almost a month, but on 16 May the Great Synagogue on Tlomacki Street was destroyed to symbolise the German victory. Almost all of the remaining Jews were deported.

German soldiers burn buildings during Warsaw Ghetto Uprising

German soldiers systematically burnt the buildings in the Warsaw ghettos to drive out the people hiding within (Source: National Archives and Records Administration).

The Warsaw Ghetto Uprising was the largest Jewish uprising, and the first urban uprising, in German-occupied Europe. It inspired uprisings in other ghettos and concentration camps. Although the ghetto was destroyed during the uprising, its memory is inscribed in the urban fabric of Warsaw through various memorials. It is also commemorated in the city’s museums.

Polin: Museum of the History of Polish Jews

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The Museum of the History of Polish Jews was purpose-built. It is a striking building, and everything about its design is symbolic (Photo: Hannah Awcock).

Opened in 2013, Polin: Museum of the History of Polish Jews won European Museum of the Year in 2016, and it’s clear why. It uses the latest technology to explore 1000 years of Jewish history in Poland, and it is absolutely overflowing with information. The building was constructed in the former ghetto, in front of the Monument to the Ghetto Heroes (more on this later). Personally, it was a little lacking in actual objects for my taste, but it’s still a wonderful museum. One of my favourite things about it is that it whilst it does cover the holocaust, it doesn’t dwell on it. Jewish history in Poland is so much more than World War Two, and Polin reflects that. It does, however, cover the Warsaw Ghetto Uprising, and it does it well.

Memorials

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The Monument to the Ghetto Heroes stands opposite the Polin museum, but it has been there for a lot longer, since 1948 (Photo: Hannah Awcock).

There are many memorials in the area of Warsaw that used to be the Jewish ghetto, but there are two that relate directly to the Warsaw Ghetto Uprising. The first, as I mentioned above, is the Monument to the Ghetto Heroes, next to Polin. Designed by Natan Rappaport and Leon Marek Suzin, the monument was built in 1948, near to the location of the first skirmish between the Jewish resistance fighters and German soldiers. It is an imposing structure, built from stone that was originally bought to Warsaw by the Nazis; it was intended to be used for monuments to Hitler’s victory. There is a bronze sculpture on the western side of the monument, depicting both resistance fighters and civilians. It represents the resistance’s struggle, and the suffering that civilians experienced. On the eastern side is a relief of women, children and the elderly being led by German soldiers.

During a state visit to Warsaw in 1970, Willy Brandt, the Chancellor of West Germany, fell to his knees in front of the Monument in a solemn gesture of apology and regret. It was a fitting location for such a significant political act; the Monument has a very grand, official feel. The second monument to the Warsaw Ghetto Uprising that I visited feels much more personal.

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The remains of the bunker at 18 Mila Street, destroyed during the Warsaw Ghetto Uprising with more than 100 people inside (Photo: Hannah Awcock).

A few hundred metres from the Monument to the Ghetto Heroes, on the corner on Mila and Dubois streets, is a large mound of earth surrounded by trees. It is all that remains on the bunker at 18 Mila Street, one of the largest bunkers built during the Ghetto Uprising. It it thought that more than 100 people died within the bunker, both resistance fighters and civilians. Many of their names are not known, but it is thought that Mordechaj Anielewicz, one of the leaders of the resistance, was killed there. Their bodies remain there, in the words of the monument, “to remind us that the whole earth is their grave.” I personally found this memorial much more moving than the Monument to the Ghetto Heroes; it feels more connected to the extent of the human tragedy experienced by Jewish people during the German occupation of Poland.

Warsaw is a city that is thriving in almost every way, but you don’t have to look far to find signs of its traumatic history. Varsovians don’t try to ignore that history or sweep it under the carpet, but neither do they dwell on it. I think it is a city that has struck a good balance between learning from the past and looking to the future.

Don’t forget to check out Part 2 of this post, about the Warsaw Uprising, here.

Sources and Further Reading

History. “Warsaw Ghetto Uprising.” Last modified 2009, accessed 12 August 2018. Available at https://www.history.com/topics/world-war-ii/warsaw-ghetto-uprising

Polin. “Monument to the Ghetto Heroes (9/11 Zamenhofa Street).” No date, accessed 12 August 2018. Available at https://sztetl.org.pl/en/towns/w/18-warszawa/116-sites-of-martyrdom/52110-monument-ghetto-heroes-911-zamenhofa-street

Polin. “The Warsaw Ghetto Uprising. Historical Information.” No date, accessed 12 August 2018. Available at http://www.polin.pl/en/news/2017/03/17/the-warsaw-ghetto-uprising-historical-information

United States Holocaust Memorial Museum. “Warsaw Ghetto Uprising.” No date, accessed 12 August 2018. Available at https://www.ushmm.org/wlc/en/article.php?ModuleId=10005188

 

 

Fairbnb? Ethical Conference Accommodation

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‘Shotgun’ houses in New Orlean’s French District, which I visited for the 2018 Annual Meeting of the Association of American Geographers. International conferences can be an opportunity to visit some wonderful places, but do we need to be more critical of our contribution to problems with tourism in those places? (Photo: Hannah Awcock).

In April I attended the 2018 Annual Meeting of the Association of American Geographers (AAG) in New Orleans. In July I will be going to the International Conference of Historical Geographers in Warsaw. I am lucky that my career gives me so many opportunities to travel, but it does come with downsides. As an early career researcher, I have to fund many of the conferences I attend myself (whether I should or not is perhaps a conversation for another day). As such, I need affordable accommodation, which can be very difficult to find. Increasingly, people are turning to Airbnb and other short stay accommodation platforms in order to help manage the costs of conference attendance. However, opposition to websites such as Airbnb is growing, supported by arguments that it drives gentrification and negatively affects local communities. Geographers have frequent discussions about the environmental implications of flying to international conferences. Perhaps we should also be discussing the ethical implications of what we do once our flights land?

I have always wanted to visit New Orleans, and I loved getting the chance to explore the city whilst I was there. However, a huge number of tourists visit the city every year, and there were several occasions where I felt uncomfortable about the impact of this vast influx that I was part of. In 2016, the number of tourists visiting New Orleans reached 10.45 million, the highest they had been since before Hurricane Katrina devastated the city in 2005 (FQBA, 2017). This is compared to a permanent population of about 400,000 (Nola.com, 2018). Whilst this undoubtedly has benefits, not least the $7.41 billion spent by tourists in the city in 2016, it also brings challenges.

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An anti-AirBnB sign outside a house in the Treme district of New Orleans, a historically black neighbourhood made popular by an HBO television series. 6% of the houses in Treme have a short-term rental licence (Photo: Hannah Awcock).

One of the most hotly debated issues of tourism recently has been the rise of short stay accommodation websites such as AirBnB. They have been blamed for rapid increases in rents and house prices in popular tourist destinations; a recent article for the Independent blamed AirBnB for 23% rent increases over three years in some parts of Barcelona, a city which has seen an increasing backlash against mass tourism in recent years (Bryant, 2018). Short stay accommodations have also been criticised for damaging local communities, in a number of ways: it is difficult to get to know your neighbours if they are changing once a week; businesses cater to the needs of tourists rather than residents (souvenir shops replace supermarkets); and tourists on their holidays tend to be louder and more raucous than locals that have to get up for work the next day. AirBnB argue that short term rentals have a negligible effect on the housing market and provide a valuable opportunity for people to make money from their spare rooms. The fact remains, however, that many short term rentals are for the whole property, and some ‘hosts’ own and rent out multiple properties.

This new kind of Airbnb-powered gentrification comes with all the downsides of traditional gentrification — home prices and rents are going up, lower-income residents and people of color are moving out — but with fewer upsides. Tourism and gentrification typically bring cleaner streets and less crime, but tourists don’t stick around to clean up the neighborhood, vote in local elections or lobby for better schools.

The Lens, 2017

There have been various attempts to fight back against the damaging impact of short term rentals around the world. Some resistance is legislative. For example, in October 2016 it was made illegal in New York City to rent out flats for less than 30 days (Ashley Carmen, 2017). AirBnB often opposes such measures, however; they attempted to sue New York City for passing the law, eventually backing down on the condition that only hosts would be held liable, not AirBnB itself (Benner, 2016). Different cities have different levels of restrictions on short stay accommodation, and enforcement also varies, so it is not necessarily an effective response.

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The Inside Airbnb map for New Orleans. Red dots represent entire properties, green ones represent single rooms (Source: Inside Airbnb).

Inside Airbnb is a not-for-profit organisation that provides tools and data for analysing the impact of Airbnb on housing markets. The data is publicly available from Airbnb, and you can either use the tools provided by the website or download the data and analyse it yourself. Data isn’t available for every city in the world, but quite a few are covered, particularly in Europe and North America. Inside Airbnb is a kind of ‘knowledge is power’ form of resistance to short stay accommodation; such data can make arguments about the negative impacts of Airbnb and other similar platforms more persuasive.

Others are taking an ‘if you can’t beat them, join them’ approach. Fairbnb is a group attempting to build an ethical short stay accommodation platform based on four main principles: collective ownership, democratic governance, social sustainability, and transparency and accountability (Fairbnb, n.d.). Part of the profits will be reinvested into local projects that counter the negative impacts of tourism and gentrification. There is no launch date for the platform at the moment however, so it might be a while before it gets off the ground, if it ever does.

So where do we as academics fit into all this? Geographers in particular are supposed to have an awareness of our own impact on the world around us, and take ethical considerations into account as a result. Some universities (including Royal Holloway, where I did my PhD) do not allow staff and students travelling on university business to use Airbnb. This is not out of a sense of social responsibility, but because Airbnb do not enforce sufficient health and safety requirements (Royal Holloway, 2017). For those of us who are self-funded, or who’s funding allows the use of Airbnb, it can be an enticingly cheap option. Perhaps we should think twice about this in future.

 

Sources and Further Reading

Benner, Katie. “Airbnb Ends Fight with New York City Over Fines.” The New York Times. Last modified 3rd December 2016, accessed 16th May 2018. Available at  https://www.nytimes.com/2016/12/03/technology/airbnb-ends-fight-with-new-york-city-over-fines.html 

Bryant, Jackie. “What Not to do in Barcelona as a Tourist.” Independent. Last modified 30th April 2018, accessed 16th May 2018. Available at https://www.independent.co.uk/travel/europe/barcelona-travel-what-not-to-do-rules-laws-tourists-protests-overtourism-visitors-a8329086.html

Carmen, Ashley. “New York City Issues First Illegal Airbnb Fines.” The Verge. Last modified 7th February 2017, accessed 16th May 2018. Available at  https://www.theverge.com/2017/2/7/14532388/nyc-airbnb-first-illegal-renting-fines-issued

The Lens. “How AirBnB is Pushing Locals Out of New Orleans’ Coolest Neighbourhoods.” Huffington Post. Last modified 30th October 2017, accessed 16th May 2018. Available at https://www.huffingtonpost.co.uk/entry/airbnb-new-orleans-housing_us_59f33054e4b03cd20b811699

van der Zee, Renate. “The ‘Airbnb Effect’: Is it Real, and What is it Doing to a City Like Amsterdam?” The Guardian. Last modified 6th October 2016, accessed 16 May 2018. Available at https://www.theguardian.com/cities/2016/oct/06/the-airbnb-effect-amsterdam-fairbnb-property-prices-communities

Protest Stickers: Plymouth

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Plymouth Hoe is a beautiful spot near the city centre, overlooking the sea (Photo: Hannah Awcock).

Plymouth is a city of a quarter of a million people on the south coast of Devon, close to the border with Cornwall. There has been a settlement there for hundreds of years, and the city has had some brushes with radicalism during that time. For example, the Pilgrim Fathers sailed from Plymouth for the New World (America), in 1620. They left because they were not allowed to practice their Puritan Calvinist beliefs in England. In  December 1913, Emmeline Pankhurst was due to be arrested as soon as she arrived back from the United States. The boat she was on was due to dock in Plymouth, and suffragettes descended on the city, determined to prevent this. Emmeline was arrested before the boat docked, and over the following months the city was targeted for revenge attacks of what were considered to be ‘cowardly’ arrest tactics. For the last century, the city has been an important site of naval shipbuilding. As such, it was targeted for aerial bombing during WW2, in what became known as the Plymouth Blitz. As a result significant parts of the town had to be rebuilt after the war, and there are few historic buildings in the town centre.

When I  visited the city recently, I found a wide variety of protest stickers, more than I would normally expect for a town of its size. Below are images of what I found.

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Charles Church is one of the few historic buildings that was left standing after the Plymouth Blitz. It is now a memorial to those who were killed during the bombing. (Photo: Hannah Awcock).

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I found several stickers around Plymouth imploring people not to vote Conservative. This one is making reference to the party’s support for fox hunting (Photo: Hannah Awcock).

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@sozfortheinconvenience is a Plymouth-based Instagram account that specialises in “fighting patriarchy and insulting people kindly one sticker at a time.” Personally, I am a big fan of polite sarcasm (Photo: Hannah Awcock).

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This sticker isn’t obviously associated with any specific protest group or organisation. Its bold text and bright colours are quite effective (Photo: Hannah Awcock).

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Earthlings is a 2005 documentary about the treatment of animals in factory farms, research labs, and other similar situations. It is often referenced on pro-Vegetarian/Vegan protest stickers (Photo: Hannah Awcock).

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This sticker argues against borders. It was produced by CrimethInc., an anarchist collective that promotes alternative thoughts and actions.  (Photo: Hannah Awcock).

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In contrast to the previous sticker, this one is promoting one of the most common pro-Brexit arguments, that it would give Britain the ability to ‘take back control’ of our government and our borders. Take Back Control organises pro-Brexit events in several locations around the country, including Plymouth (Photo: Hannah Awcock).

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There is a quote in A Knight’s Tale about how love should always end with hope. I think blog posts should end with hope every once in a while too (Photo: Hannah Awcock).

Sources and Further Reading

Rowbotham, Judith. “The Suffragettes and Plymouth.” Plymouth University. Last modified 5th November 2015, accessed 26th February 2018. Available at  https://www.plymouth.ac.uk/news/pr-opinion/the-suffragettes-and-plymouth

Revolting New York: How 400 Years of Riot, Revolt, Uprising, and Revolution Shaped a City

Revolting New York cover

Revolting New York will be published early next year.

On my trips to New York City (in 2015 and 2016), I have scoured bookshops looking for a history of protest in the city, assuming that there must be one. After all, there are at least two books about London’s turbulent past. Whilst there is lots of great research about dissent in New York, there has not been an overarching survey–until now. Next year, a book will be published not just about the history of protest in New York, but about the historical geography of protest in the city. Revolting New York: How 400 Years of Riot, Revolt, Uprising, and Revolution Shaped a City began as a project by Neil Smith with some of his post-graduate students at the City University of New York. When he passed away in 2012, Professor Don Mitchell took over the task of editing the collection, and it is finally being published next year. As you can imagine, I’m quite excited about it, whilst also being a bit frustrated that I didn’t get there first!

Last week, Professor Mitchell gave a lecture about the project at Queen Mary, University of London. I went along to find about more about the project. Mitchell used various examples to demonstrate the strength of the relationship between dissent and the material landscape. We tend to view demonstrations, riots, and other expressions of dissent as unusual events, but they are actually very common, particularly in large cities like London and New York. It is actually more uncommon to have a peaceful period.

Mitchell started the lecture with an in-depth look at a decade of bombings in New York, culminating in anarchist Mario Buda’s attack on Wall Street on the 16th of September 1920 (I have written a review of Mike Davis’ excellent book about this bombing’s part in the early history of the car bomb here.) The bombings contributed to the deindustrialization of New York, as the small-scale manufacturing and transport networks that produced and planted the bombs were driven out of the city. Finance, insurance, and real estate came to dominate the city’s economy. In attempting to strike a devastating blow against the bankers of Wall Street, Buda inadvertently helped them tighten their grip on New York.

Mitchell used this narrative, and others, to argue that “landscape is power materialised.” Whilst this is not a new argument, Revolting New York applies it in a new context. Space is produced through social struggle, the result of constant negotiation and conflict between groups with different visions for that space. Protest is just one form that this process takes. As such, protest shapes and reshapes the city you see when you look out the window (apologies to those of you who are not currently in a city!)

The lecture was an introduction to the Revolting New York project, outlining it’s history, structure, and key arguments. It is particularly exciting for me because of its parallels with my own work on London. The book will be affordable too, less than £25 for the paperback, so hopefully it will help bring historical geography to a wider audience. I for one can’t wait to read it!

Vienna’s Street Art

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Central Vienna is beautiful, but a little too formal for my liking (Photo: Hannah Awcock).

This summer, I spent a few days in Vienna on a family holiday. Although beautiful, I found the city, particularly the city centre, had an add, formal feel that didn’t sit very well with me. It didn’t feel lived in, more like a model city than an actual place. There were some parts of the city I did connect with however, like the Prater funfair, the city’s lively protest sticker culture, and the street art. I quickly discovered however, that the advice the guide books give you about finding street art is not necessarily the best.

Dotted around the Museum Quarter of the city there are a series of Micromuseums, small passageways that focus on different art genres, including literature, typography, and sound art. They are the brainchild of Q21, which provides creative work and exhibition spaces in the Museum Quarter. One of these Micromuseums is called Street Art Passage Vienna, and its where a lot of guide books direct you if you want to see street art in the city. Whilst I like the idea of turning “simple means of entrance and exit to innovative art spaces,” I found the reality a bit disappointing. The space is almost 10 years old, and it feels a little neglected.

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The Street Art Passage Vienna was looking a little neglected when I saw it in July (Photo: Hannah Awcock).

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The two  permanent pieces of art in the passage by Invader (2008) and Lois Weinberger (2013) (Photo: Hannah Awcock).

The main feature of the passage is a tiled bridge by French artist Invader (2008). His distinctive Space Invader mosaics are a recognisable feature of many cities. There is also a permanent typographic piece by Lois Weinberger (2013), which is visible in the above picture on the wall behind the Invader bridge. There are also temporary exhibitions by a wide range of artists (you can see a full list here). There are two vending machines, which are supposed to contain mini catalogues and sets of stickers that you can buy for 2 Euros, but the machines were empty when I went there. In addition, each temporary artists produces a limited number of affordable screen prints, designed to encourage young art collectors.

When there is crossover between the informal, ephemeral tradition of  street art and more formalised traditions of artistic display like art galleries and museums, there can be tensions. Whilst street art is often associated with a certain urban ‘scruffiness,’ in the case of the Street Art Passage Vienna it just felt neglected. For me, street art is exciting and vibrant, it makes a city feel more alive. The Street Art Passage felt…stagnant.

If you want to see dynamic and vivid street art in Vienna, and lots of it, then I would recommend going to the Danube Canal, which splits of from the Danube proper north of the city centre, then loops round to the west of the river before rejoining the Danube further south. The canal is below street level, with a tow path on either side and concrete walls rising to the main roads that run either side. The walls on both sides of the canal are covered in street art, and there are also some sculptures along the tow paths. In the hour or so I was walking along the canal, I saw several artists working on pieces on the walls.

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The Danube canal is below street level, with concrete walls between the tow path and the street. The walls are covered in street art and grafitti (Photo: Hannah Awcock).

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The confluence of the Danube Canal with Wienfluss. In the bottom right of the photo, there is an artist working on an image of a woman (Photo: Hannah Awcock).

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An in-progress piece of street art on the wall under a bridge across the Danube Canal (Photo: Hannah Awcock).

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A map of central Vienna with the Street Art Passage Vienna and the Danube Canal marked on it (Source: Google Maps, with alterations by the author).

Most guide books and websites will send you to the Street Art Passage Vienna if you’re looking for street art in the city. But I wouldn’t recommend it. The litter, dust bins, and empty vending machines felt a little sad. The street art at the Danube Canal, however, is energetic and vibrant, and helped me to connect to a city that had I had struggled to relate to previously.

Protest Stickers: Manchester

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Manchester is a wonderful blend of old and new (Photo: Hannah Awcock).

A few months ago, I spent a couple of days in Manchester. I’ve already blogged about the brilliant museums I visited whilst I was up there (the People’s History Museum, and the Imperial War Museum North), but I also found some great protest stickers whilst exploring the city. Paying attention to a city’s protest stickers helps me get to know a place, by giving me an insight into the issues that matter to the city. Manchester had a lot of protest stickers, many of which I hadn’t seen before, which is just one of the reasons I liked it so much. Manchester is a vibrant city with a fascinating history. Protest stickers in some cities are dominated by only one or two issues (Newcastle, for example, had a lot of stickers relating to animal rights), but this was not the case in Manchester. Its diversity is reflected in the wide range of issues that are represented in the city’s stickers. There were also a lot of stickers in Manchester that I haven’t seen before; I have not seen any of the stickers featured in the post anywhere else. I’m not saying they are all unique to Manchester, but it is an indication of the city’s healthy culture of dissent.

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This is the first sticker I found when I arrived in Manchester. Although the Bedroom Tax has been a contentious issue since it was introduced in 2013, this is the first sticker I have ever found about it (Photo: Hannah Awcock).

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Stickers relating to the EU, both pro- and anti-Brexit, were quite common in Manchester. Most of them were supportive of the EU, such as this one (Photo: Hannah Awcock).

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This is probably more of a poster than a sticker, but I wanted to include it because it’s unsual to see hand-drawn protest stickers or posters, they are usually designed on a computer and printed. This poster is advertising an anti-Brexit protest in central Manchester, a few weeks after the referendum (Photo: Hannah Awcock)

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Again, this is probably too big to be a protest sticker, but I think it sums up Manchester’s irreverent attitude nicely. I also don’t like Nigel Farage (Photo: Hannah Awcock).

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You are much more likely to find stickers that criticise the Conservative Party than supporting them, and Manchester is no exception. This sticker is referring to the Conservative Party Annual Conference, which is frequently held in Manchester (Photo: Hannah Awcock).

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Bun the Tories also started out as a call to protest the Conservative Party Conference in 2015. If you follow the link there’s an…interesting music video, and you can buy a Bun the Tories t-shirt, the proceeds of which go to homeless charities in Manchester (Photo: Hannah Awcock).

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It is not just the Conservative Party that Mancunians object to, but also their policies whilst in government. Jeremy Hunt has been Health Secretary since 2012, and is blamed by many for the difficulties which the NHS now faces (Photo: Hannah Awcock).

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The conflict over Junior Doctor’s contracts in 2015 and 2016 is perhaps one of the most controversial episodes of Jeremy Hunt’s career. Hunt tried to impose new contracts on Junior Doctors, which they refused to accept. Neither side would back down, leading to strikes in which Junior Doctors only provided emergency care. A survey by Ipsos MORI found that 66% of the public supported the Junior Doctors (Photo: Hannah Awcock).

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The Scottish National Party also comes under fire in Manchester’s protest stickers. Most of the stickers I have seen in London relating to Scottish politics have been pro-Scottish Independence, so I was interested to find a sticker with a different perspective (Photo: Hannah Awcock).

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Anti-fascism is one of the most common topics of protest stickers that I find in London. I particularly like the design of this sticker, which was produced by a Mancunian anti-fascist group (Photo: Hannah Awcock).

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Animal welfare is another relatively common topic of protest stickers. Although it’s a common topic, I have never seen this particular sticker before (Photo: Hannah Awcock).

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Working class solidarity is also a topic I have seen before in protest stickers. They make the argument that the working classes should be uniting against the rich and powerful (Photo: Hannah Awcock).

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Football is a huge part of Mancunian life and culture. The sport, particularly the Premier League, is now a multi-million pound industry, and there is increasing opposition to it being commercialised to such an extent (Photo: Hannah Awcock).

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I have seen protest stickers relating to prisons before, but they are quite rare. I found several different ones in Manchester, which is very unusual. This sticker was produced by the Empty Cages Collective, which campaigns for the abolition of prisons (Photo: Hannah Awcock).

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The prevalence of CCTV cameras is not something I have seen before on protest stickers. The statistics on this sticker are pretty eye-opening, and I like the way that whoever made it included their source–perhaps they have had academic training at some point? (Photo: Hannah Awcock).