Founded in 2013, the Black Lives Matter movement has experienced a renaissance since the killing of George Floyd by police in Minneapolis in May 2020. From protests to art, the resurgence of BLM over the Summer of 2020 has been dramatic. Racism has been a topic of protest stickers for as long as I have been studying them, but the recent BLM revival has resulted in a corresponding surge in stickers that use the language and symbolism of BLM. Since my recent move to Edinburgh, I have found a lot of protest stickers on a whole range of topics, but racism and BLM have been some of the most common.
On the first day that I arrived in Edinburgh in August I went for a walk up the Royal Mile. As I walked towards the castle, my eye was caught by a set of pictures and yellow ribbons attached to the railings of the Tolbooth Kirk. On further investigation, it turned out to be an installation of photos called ‘I can’t breathe’ by British born Nigerian photographer Jamal Yussuff-Adelakun. The ribbons are expressions of solidarity with Black Lives Matter Scotland.
The installation at Tolbooth Kirk is just one part of the Black Lives Matter Mural Trail, a series of artworks in towns and cities across Scotland led by creative producer Wezi Mhura. Scottish Black and Asian artists have created new artworks in support of the Black Lives Matter movement. The formats range from stereotypical street art murals, to less conventional photography and digital artworks. The project is “a call out to the people of Scotland to challenge racism wherever you see it – in the streets, in institutions, at work and at school.” As I have continued to explore Edinburgh over the last few months, I have come across more examples from the mural trail (of course I could just look them up on the map, but I think it’s more fun to stumble across them!)
Black Lives Matter was founded in 2013, but the movement has experienced a resurgence since the death of George Floyd in May 2020. I am interested in the ways that protest movements make their mark on public spaces, and I have recently written about the traces that BLM protests left on the streets of Brighton, my home city. The BLM mural trail is more formal than the traces I found in Brighton, but it has a similar effect; it brings the debate into public space, and reaches out to those who might not otherwise have become involved in the conversation.
There seems to be a perception amongst many Scots that racism isn’t really a problem here. Interventions such as the mural trail help to undermine this narrative, and draw attention to the very real examples of racism in Scotland, as well as how broader systematic discrimination affects ethnic minorities here. The first step to achieving change is to start a conversation, and the BLM Mural Trail is an innovative and effective way to do this.