There is an anecdote in my family that my parents once tried to rent Blade Runner (1982). Instead of Ridley Scott’s epic visual masterpiece they ended up with Blade (1998), an over-the-top vampire film starring Wesley Snipes. Also a good film, but very different. We will probably never know if the mistake was my parents’ or Blockbusters’, but my Mum still thinks Blade Runner is about a leather-clad vampire hunter.
I recently rewatched Blade, and apart from being shocked by the dodgy CGI, I was interested by the film’s representation of archives. Archives, libraries, and other repositories of knowledge are often used in films as a method of exposition, or of revealing some information that moves the plot along, and Blade is no different. Blade and his plucky but naive companion Dr. Karen Jenson fight their way through a club to find a vampire archive, the entrance to which is hidden in an industrial fridge.
Inside, they find futuristic data banks and a grossly overweight and flatulent archivist, who reveals to Blade and Dr. Jensen the plans of the film’s baddie, evil vampire Deacon Frost. Frost has been using the archive to translate the the Book of Erebus, the vampire bible whose meaning had been long since forgotten. Frost was trying to enact a prophecy he found in the Bible, which would give him enough power to take over the world and bring an end to humans. Blade the sets out to try and stop Frost. The archive is the means through which the good guy finds out what the bad guy is up to, thus progressing the story.
I would say that there are two main stereotypes of archives in popular culture. The first is old, dusty stacks of books and scrolls, stacked floor to ceiling in a dark, dingy room. The other is much more modern, even futuristic, with high-tech data banks, in large, sparse rooms. The archive in Blade falls into the latter category, as the images below demonstrate (the Empire’s archives on Scarif in Rogue One: A Star Wars Story (2016) are another example of this type). I think the archives are a reflection of the vampire community in Blade as a whole; they are very old, but they have changed and developed to keep up with the times, blending in with human society. So much so, that the ability to translate the Book of Erebus has been lost, as has much of the vampires’ history and lore.
Archives and libraries are represented frequently in popular culture, often as a source of exposition or plot progression. These representations shape the way that non-researchers understand and perceive of archives, and as such I think it is important for academics to spend time analysing them, and thinking about what impact they might have. The archive is Blade is modern and hi-tech, much more so than any real archive currently is. The archivist is also much more unpleasant than any archivist I’ve ever met!